I think every time I play, every show is different, and I think that at a certain point a song isn't about you anymore. It's about the audience, it's about how the song has worked its way into other people's lives and that kind of keeps the meaning of the song new, because you see it reflected in other people every night.

Checking voicemail is like, "When's the other shoe going to drop?" I'm always afraid it's going to be terrible news I don't want to hear.

CDs are usually an hour long because that's the amount a CD could hold - not because that's the optimal amount of time for any given musical expression.

I just think that the question of women in rock or women playing guitar, I just think it's such a non-issue, and I think that probably the sooner critics and press outlets can just erase the 'what's it like being a women in rock?' question from their vocabulary, the better off everyone will be.

I have the weirdest job. It's not every day that you get to stand up onstage and unload every ounce of your misanthropic bile onto a crowd of people, and they're like, "Cool! Hit us again!"

All these things that we are very nostalgic for come from a place of technology dictating [art]. This time and place is no different.

I do love the ceremony of putting on a record but I don't have space for a vinyl collection.