The most important thing is setting up these directives for yourself. Like, "I'm only going to use these three colors - go!" That's why Einstein wore the same thing every day; you don't want to have to reinvent the wheel every morning.

I wouldn't say I'm a very technical [guitar] player. I'm more intuitive - it's always more about chasing an abstraction.

I'm a bit of a vagabond - a person who loses time and space because you don't know where you are.

Music is kind of a strange business, and it's too weird of a job to have mean, conniving people around.

Checking voicemail is like, "When's the other shoe going to drop?" I'm always afraid it's going to be terrible news I don't want to hear.

The schematics are a little bit tricky, but once you get it down you're able to really program an entire show. Every song has a lot of different guitar sounds in it, so that's what it is.

I like to deal with my dark side in a creative way, and just sing about killing people instead of actually doing it.