There is, in fact, not much point in writing a novel unless you can show the possibility of moral transformation, or an increase in wisdom, operating in your chief character or characters. Even trashy bestsellers show people changing. When a fictional work fails to show change, when it merely indicates that human character is set, stony, unregenerable, then you are out of field of the novel and into that of the fable or the allegory. - from the introduction of the 1986 Norton edition
Anthony BurgessBut, brothers, this biting of their toe-nails over what is the CAUSE of badness is what turns me into a fine laughing malchick. They don't go into what is the cause of GOODNESS, so why of the other shop?
Anthony BurgessDelimitation is always difficult. The world is one, life is one. The sweetest and most heavenly of activities partake in some measure of violence - the act of love, for instance; music, for instance.
Anthony BurgessThe book I am best known for, or only known for, is a novel I am prepared to repudiate: written a quarter of a century ago, a jeu d'esprit knocked off for money in three weeks, it became known as the raw material for a film which seemed to glorify sex and violence. The film made it easy for readers of the book to misunderstand what it was about, and the misunderstanding will pursue me till I die. I should not have written the book because of this danger of misinterpretation.
Anthony BurgessNovelists are perhaps the last people in the world to be entrusted with opinions. The nature of a novel is that it has no opinions, only the dialectic of contrary views, some of which, all of which, may be untenable and even silly. A novelist should not be too intelligent either, although he may be permitted to be an intellectual.
Anthony Burgess