I spent two years in the military service, then I trudged around in repertory for quite a while. I somehow wound up at the National Theatre, though, and then I was definitely on my way.

I'm more and more convinced that life is a dream. What has happened to me is surely a dream.

I don't know why they gave me a knighthood - though it's very nice of them - but I only ever use the title in the U.S. The Americans insist on it and get offended if I don't.

I’m not being cynical, but when you’re doing a movie you have a number of choices as an actor. Then you see it all cut together and all of those precious little pieces you put in are maybe on the cutting room floor. So, you don’t have that much control. You have very little control, in fact.

I think Julianne Moore is very, very good. I've worked with her. We did Surviving Picasso. I remember one scene we did together. She had to have a nervous, a mental, breakdown in this one scene. I didn't have many lines. I just had to make sure I knew I came in on cue all right. And I was just watching her walking though the rehearsal. I thought I know what she's doing, "This is going to be terrific." So they said, "Are you ready" and she said, "Yeah," "Ok, roll the camera." And all in one take.

I used to be a bit obsessed by acting but not anymore. I do enjoy acting but I probably enjoy it more now because it's easier. I can't work in the theater because to me it's too serious. It's like being in prison for me. I admire people that can do that but I can't do it. I'd rather live my life and do a bit of acting in between.

I think all those actors from that generation, like Bogart - they were wonderful actors. They didn't act. They just came on and they did it, and the characters were wonderful.