These people have learned not from books, but in the fields, in the wood, on the river bank. Their teachers have been the birds themselves, when they sang to them, the sun when it left a glow of crimson behind it at setting, the very trees, and wild herbs.

You are right in demanding that an artist approach his work consciously, but you are confusing two concepts: the solution of a problem and the correct formulation of a problem. Only the second is required of the artist.

Ah, Caviar! I keep on eating it, but can never get my fill. Like olives. It's a lucky thing it's not salty.

I have no will of my own. Never did. Limp and lily-livered, I always obey - is it possible that's attractive to women?

What's the use of talking? You can see for yourself that this is a barbarous country; the people have no morals; and the boredom!

In displaying the psychology of your characters, minute particulars are essential. God save us from vague generalizations! Be sure not to discuss your hero's state of mind. Make it clear from his actions. Nor is it necessary to portray many main characters. Let two people be the center of gravity in your story: he and she.

It's easier to ask for money from the poor than from the wealthy.