He had two lives: one, open, seen and known by all who cared to know, full of relative truth and of relative falsehood, exactly like the lives of his friends and acquaintances; and another life running its course in secret. And through some strange, perhaps accidental, conjunction of circumstances, everything that was essential, of interest and of value to him, everything in which he was sincere and did not deceive himself, everything that made the kernel of his life, was hidden from other people.

But at the same time, in reality, what a difference there is between the world today, and what it used to be! And with the passage of more time, some two or three hundred years, say, people will look back at our own times with horror, or with sneering laughter, because all of our present day life will appear so clumsy, and burdensome, extraordinarily inept and strange. Yes, certainly, what a life it will be then, what a life!

What must human beings be, to destroy what they can never create?

I don’t understand anything about the ballet; all I know is that during the intervals the ballerinas stink like horses.

This man, who for twenty-five years has been reading and writing about art, and in all that time has never understood anything about art, has for twenty-five years been hashing over other people's ideas about realism, naturalism and all that nonsense; for twenty-five years he has been reading and writing about what intelligent people already know and about what stupid people don't want to know--which means that for twenty-five years he's been taking nothing and making nothing out of it. And with it all, what conceit! What pretension!

If you can't distinguish people from lap-dogs, you shouldn't undertake philanthropic work.

I've noticed that people who get married cease to be curious.