The composers could no longer direct all performances in person, and so the responsibility of interpreting their works in the spirit in which they had been conceived was placed upon conductors.

The conductor's gift does not always go hand in hand with that of composition; indeed, the union is found much more seldom than is popularly believed.

The ability to conduct is a gift of God with which few have been endowed in full measure.

It is simple nonsense to speak of the fixed tempo of any particular vocal phrase. Each voice has its peculiarities.

I learned, too, how it was possible with the help of the picture and action to transform an apparently insignificant violin passage into an incident, and to lift a simple horn call into a thing of stupendous significance by means of scenic emphasis.

Composers are not all good conductors.

Of course, experience strengthens one later.