I've got a weird balance problem as a human being, like I'm dizzy, and it's something to do with that.

I got a feeling I had loads when I was in primary school, 'cause I had red hair; you know, like Duracell.

If it takes you three years to set up a studio, and you've made one track with that setup, then the logical thing to do is not change anything and just do another one using the same set of sounds.

The best artists are people who don't consider themselves artists, and the people who do are usually the most pretentious and annoying. They've got their priorities wrong. They're just doing it to be artists rather than because they want to do it.

I've always got to change something. All the tracks I've done in the last five years were made in like six different studios. It gets a bit complicated.

It's really funny, because if you make up words, then people project their own meanings onto it, which I find interesting.

It always sounds more right to me when it's detuned. When it's right in tune, it's like there's something slightly off. But at the end of the day, it's all about frequencies and what they do to you. That's the real core.