You can't rely on the fact that people know you. At Glastonbury, when they all knew I was DJing, everyone was cheering even though they'd never heard some of the tracks I was playing before.

I'm a quite erratic person: From setups to actually when I'm doing a track, it's just turning and switching and changing all the time.

Forget all the equipment, forget the music, at the end of the day it's just literally frequencies and their effects on your brain. That's what's everyone's essentially after.

I've always got to change something. All the tracks I've done in the last five years were made in like six different studios. It gets a bit complicated.

I wanted to do gigs where you've just got mirrors on the stage, and then you light the crowd so they look at the stage and all they can see is themselves. It's just like, "There you go, it's you, you cunts."

When you get new rules that work, you're changing the physiology of your brain. And then your brain has to reconfigure itself in order to deal with it.

I've got a weird balance problem as a human being, like I'm dizzy, and it's something to do with that.