I've always got to change something. All the tracks I've done in the last five years were made in like six different studios. It gets a bit complicated.

There's something wrong with my brain, it doesn't work properly! I can hear the same pitch in both ears, whereas for most people, if you listen to one pitch in one ear, it's slightly different in the other. That's how your brain works out direction.

It's not about what equipment you have, it's what you do with it.

When you get new rules that work, you're changing the physiology of your brain. And then your brain has to reconfigure itself in order to deal with it.

It's only interesting when you're from somewhere else, like America or Japan. The further away the more interesting it is.

If it takes you three years to set up a studio, and you've made one track with that setup, then the logical thing to do is not change anything and just do another one using the same set of sounds.

You can't rely on the fact that people know you. At Glastonbury, when they all knew I was DJing, everyone was cheering even though they'd never heard some of the tracks I was playing before.