I've always got to change something. All the tracks I've done in the last five years were made in like six different studios. It gets a bit complicated.

Forget all the equipment, forget the music, at the end of the day it's just literally frequencies and their effects on your brain. That's what's everyone's essentially after.

In America, it's quite admirable if someone's done well or been successful at whatever it is. Whereas in Britain, they're not. They only like it when you're the underdog.

I'm a quite erratic person: From setups to actually when I'm doing a track, it's just turning and switching and changing all the time.

If you've got a stick hitting a drum and you're programming it on a computer, it's so much more interesting than a sample playing back - it's something in the air, that's the magical ingredient.

It sounds really arrogant, but my music's my favourite music ever. I prefer it to anyone else's.

I wanted to do gigs where you've just got mirrors on the stage, and then you light the crowd so they look at the stage and all they can see is themselves. It's just like, "There you go, it's you, you cunts."