I'm still useful in my capacity as an arts educator and caretaker for the stray dogs.

I eventually shifted to video. Video opened up new conditions, or freed me from old conditions.

It is interesting to ask why people who come to view art suddenly posture themselves as full of righteousness. It's as if my artwork suddenly lends a higher moral ground to everyone else in the Thai art world.

It's surprising that readers don't see challenging writing as morally hazardous, when it might be pushing the same kinds of boundaries as art does.

In academic circles, especially, I was criticized for lacking morals, values, and ethics. I'm feeding that angry feminist reading of my work.

My art practice eventually arrived at a point where I had freedom from various limiting conditions; the institutional mindset is not airtight and isn't altogether ideologically programmed. There are ways of escaping.

Thai society rarely attempts to control literature in the same way that it vigilantly polices visual art. It's ironic because people in this society are more aware of literature than they are of art.