What is difficult is to keep the sweet voice with an aggressive message.

In academic circles, especially, I was criticized for lacking morals, values, and ethics. I'm feeding that angry feminist reading of my work.

I eventually shifted to video. Video opened up new conditions, or freed me from old conditions.

In shows where the audience wants to try to understand the work, the work is placed in a space of possibility where it becomes a subject of inquiry rather than being subject to conclusive interpretations. This is the gift I receive when I go abroad.

My art practice eventually arrived at a point where I had freedom from various limiting conditions; the institutional mindset is not airtight and isn't altogether ideologically programmed. There are ways of escaping.

It is interesting to ask why people who come to view art suddenly posture themselves as full of righteousness. It's as if my artwork suddenly lends a higher moral ground to everyone else in the Thai art world.

I'm still useful in my capacity as an arts educator and caretaker for the stray dogs.