It's very human to try to put things into boxes, and it's hard for us to reconcile with grey areas, and yet somehow that's the area I find the most poetic, the juiciest.

There has to be an entry point to learn about myself, or an idea I've never tried, because then I can try on a new skin and see the world through a different perspective. If I have that spark, then I'll save the file.

I do love voices so much that I will use them and manipulate them. The presence of a human voice in a piece of music is really exciting, even if it's just someone's breathing.

A lot of me figuring out how to love myself more involves finding the things that I'm ashamed of and looking them right in the eye.

I do love the idea that something can make you forget that you're listening and just transport you to somewhere else in your head.

I try to get my subconscious to puke out as much stuff as I can because I'm really not judging myself while making music. If I crave a frequency in the mid, I'll just drag in a sound and try to mold it into what feels right. It happens very quickly. And if I've been making a piece of music for five hours and it sucks, I'll just throw it away. There has to be an entry point to learn about myself, or an idea I've never tried, because then I can try on a new skin and see the world through a different perspective. If I have that spark, then I'll save the file.

It's very human to try to put things into boxes, and it's hard for us to reconcile with grey areas, and yet somehow that's the area I find the most poetic, the juiciest.