If I crave a frequency in the mid, I'll just drag in a sound and try to mold it into what feels right. It happens very quickly. And if I've been making a piece of music for five hours and it sucks, I'll just throw it away.

You become more animalistic when you don't know what's coming next - you have to be on guard, but at the same time you're also more receptive.

There has to be an entry point to learn about myself, or an idea I've never tried, because then I can try on a new skin and see the world through a different perspective. If I have that spark, then I'll save the file.

Only after a piece of music is done does my frontal cortex allow me to organize what might be trying to come out of my subconscious.

I do love voices so much that I will use them and manipulate them. The presence of a human voice in a piece of music is really exciting, even if it's just someone's breathing.

I try to have things change before I get bored, and I figure other people might enjoy that too; I try not to let anything repeat for long enough that you can get used to it.

A lot of me figuring out how to love myself more involves finding the things that I'm ashamed of and looking them right in the eye.