With song titles, I try to keep a healthy sense of humor while saying something at the same time.

Only after a piece of music is done does my frontal cortex allow me to organize what might be trying to come out of my subconscious.

With song titles, I try to keep a healthy sense of humor while saying something at the same time.

I do love the idea that something can make you forget that you're listening and just transport you to somewhere else in your head.

If I crave a frequency in the mid, I'll just drag in a sound and try to mold it into what feels right. It happens very quickly. And if I've been making a piece of music for five hours and it sucks, I'll just throw it away.

A lot of me figuring out how to love myself more involves finding the things that I'm ashamed of and looking them right in the eye. And something I always find beautiful about Jesse's work is that he finds beauty without any calculation. People say that his work is dark, but he never sees it as such. For him it's all almost about educating people to process why they feel disgust.

You become more animalistic when you don't know what's coming next - you have to be on guard, but at the same time you're also more receptive.