I started doing community theater when I was seven and I think the intent was just expression. When you're a musician, you can make music in your room, and when you're a writer, you can write. Acting is one of the tricky art forms where you need a certain amount of permission to be able to do it. You can talk to yourself in the mirror, but it's different than actually acting or doing a scene. You need an audience and you need someone else to do it with.

Through working with amazing people, the bar is always raised to do your own best work. I want to be a part of unique stories that are smart, heartfelt, funny and sad, and have a general sense of good quality.

As I've grown as a person and gotten to know myself more - the question of how someone becomes who they become has gotten really interesting to me.

I was a precocious only child, and then I went through a fat, awkward stage for several years, so I learned to fall back on my humor and personality when I was growing up. It's how you survive, so I think it was more of a natural progression for me, developing into comedy.

Working with David Gordon Green, and Jonah Hill, and Michael Cera, and Drew Barrymore, and all of those people - those are the best people in comedy to work with. Anna Faris. You know, that's my goal, to keep learning and to just keep working with the best people I can. And yeah, we do all hang out, and we all kind of know each other.

Stand-up comedy is still a very male-dominated world. You look at a set list and maybe there's one woman on there.

With acting, I started as a kid and it was my safe space and the place where I felt the most free to be all of myself. What gets explored in our show is where that instinct starts and where it meets with career, and how that can change your path a bit.