What I love about our show is that it's so nuanced and feels very real to me. I think how it explores creativity in general is very real.

I was more of the kind of babysitter that liked holding the baby, sort of playing Mom, and then putting the baby to bed and watching TV while eating everything in their kitchen.

I think the good news for me in life is that I really trust my instincts when I come to work. Maybe less in life and in love, but in work and in comedic beats, I feel pretty confident.

Once you do something that people respond to, they understandably think of you in that way, and you want to work and it's fun and it's wonderful. I think a lot of people in all different fields find themselves in a moment of repeating certain beats. There's also a moment that is personally related to age as well - in whatever field you're in, you say, "Wait a minute, where am I and how did I get here? How has this changed from my original intent and what do I want to do about that now?" That's part of the process.

Through working with amazing people, the bar is always raised to do your own best work. I want to be a part of unique stories that are smart, heartfelt, funny and sad, and have a general sense of good quality.

When you're an actor, people talk a lot about how, at some point, you really have to take control of your career and what you want to do and create your own content. But for me it came from a really natural place of wanting to feel like what you're putting in the world has some meaning for you.

As I've grown as a person and gotten to know myself more - the question of how someone becomes who they become has gotten really interesting to me.