Once you do something that people respond to, they understandably think of you in that way, and you want to work and it's fun and it's wonderful. I think a lot of people in all different fields find themselves in a moment of repeating certain beats. There's also a moment that is personally related to age as well - in whatever field you're in, you say, "Wait a minute, where am I and how did I get here? How has this changed from my original intent and what do I want to do about that now?" That's part of the process.

I think casting a show is an art form in and of itself. We're all so different - the cast is made up partly of real stand-ups, partly of actors, and then partly of just legendary actors.

Babies are born whole and then they go through experiences in life that chip away at some of that, and it becomes learned behavior.

What I love about our show is that it's so nuanced and feels very real to me. I think how it explores creativity in general is very real.

I started doing community theater when I was seven and I think the intent was just expression. When you're a musician, you can make music in your room, and when you're a writer, you can write. Acting is one of the tricky art forms where you need a certain amount of permission to be able to do it. You can talk to yourself in the mirror, but it's different than actually acting or doing a scene. You need an audience and you need someone else to do it with.

I was more of the kind of babysitter that liked holding the baby, sort of playing Mom, and then putting the baby to bed and watching TV while eating everything in their kitchen.

Working with David Gordon Green, and Jonah Hill, and Michael Cera, and Drew Barrymore, and all of those people - those are the best people in comedy to work with. Anna Faris. You know, that's my goal, to keep learning and to just keep working with the best people I can. And yeah, we do all hang out, and we all kind of know each other.