Look, we're all the same; a man is a fourteen-room house - in the bedroom he's asleep with his intelligent wife, in the living-room he's rolling around with some bare ass girl, in the library he's paying his taxes, in the yard he's raising tomatoes and in the cellar he's making a bomb to blow it all up.

Don't be seduced into thinking that that which does not make a profit is without value.

My plays are always involved with society, but I'm writing about people, too, and it's clear over the years that audiences understand them and care about them. The political landscape changes, the issues change, but the people are still there. People don't really change that much.

After all the highways, and the trains, and the appointments, and the years, you end up worth more dead than alive.

An idol tells people exactly what to believe, God presents them with choices they have to make for themselves. The difference is far from insignificant; before the idol men remain dependent children, before God they are burdened and at the same time liberated to participate in the decisions of endless creation.

I would be twenty before I learned how to be fifteen, thirty before I knew what it meant to be twenty, and now at seventy-two I have to stop myself from thinking like a man of fifty who has plenty of time ahead.

There is a misconception of tragedy with which I have been struck in review after review, and in many conversations with writers and readers alike. It is the idea that tragedy is of necessity allied to pessimism.