Talking to people and hearing their stories, you learn a lot.

I do photography and I studied film at school. So I've always really enjoyed that and I've got an eye for camera angles I guess. I've never taken that into filming wildlife.

I play a lot of strategy games and team and reactionary games. So it's a different sort of skill that you're practicing.

I think it's always difficult no matter how similar your characters are to yourself to get into that mindset, because however much they are similar to you, they're not you.

I still get star-struck by people like Harrison Ford, but I think it's become more natural and more a part of my life. You have to be professional and keep a straight face. You can squeal behind their backs.

When you're younger, you get scripts that you are too young for and now I'm getting scripts, which I think, "I'm too old for this character." They can always shift things around to make it work and make the ages work. But I'm definitely getting more complex and interesting roles and less what you would expect. So I can experiment more and have a bit more freedom when I'm putting things on tape.

In terms of my relationships with a lot of the adult characters, when I was working with Harrison, it wasn't like a verbal agreement, but we both understood that because there was this constant tension between our characters, we couldn't say "Cut" and start acting normal. We had to keep an essence of that relationship in our characters off screen which is really important.