I don't really have any dream roles. It's just things, which come up.

In terms of my relationships with a lot of the adult characters, when I was working with Harrison, it wasn't like a verbal agreement, but we both understood that because there was this constant tension between our characters, we couldn't say "Cut" and start acting normal. We had to keep an essence of that relationship in our characters off screen which is really important.

I can clap really fast. I can beatbox. I can type the alphabet in under 2 seconds. That's probably the one I'm most proud of.

I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.

I think it's always difficult no matter how similar your characters are to yourself to get into that mindset, because however much they are similar to you, they're not you.

The most exciting thing in England is a pigeon or foxes, which isn't very interesting to watch because everyone knows what they do. But I've taken pictures of them. Just for practice.

For every role you get, there are five roles that you don't.