There was actually a camera on your face. I don't know so much about the animation process but the camera was in our face so it could get expressions from our faces that would eventually arrive on the gnomes. It almost felt like you were cheating at times because it was a wee bit too much fun. You were in that box on your own. Kelly [Asbury] was in Toronto, I was in LA, so I was just on my own. I thought: "I can't be getting paid for this as well!"

I wanted to live where I could pop to the bar that Humphrey Bogart took Lauren Bacall to, or the little restaurant where Charlie Chaplin had a booth.

Americans are so direct. They'd ask me, 'What's your five-year plan? Do you have a five-year plan?' I don't know what I'm having for my tea tonight let alone a five-year plan.

My husband is always telling me: 'We're on holiday - we don't need to have an itinerary!' But I always want to see as much as I can. Sometimes, I come back from holiday needing a holiday.

I think because I did become a well-known face in my thirties and not in my twenties, I was pretty settled in my boots and I knew who I was. And I think there's a sort of Scottish thing, too, where you don't take yourself too seriously, and you don't get carried away with your own sense of self-importance.

We have a house in Umbria that we bought just before we went to America. That meant we couldn't go there as often as we thought, but now we're back, we're going to start using it more. I love the light, the countryside, the language and the fact that children are accepted everywhere. The Italians get passionate about everything, too.

I always knew I wanted to be an actor, certainly from the age of eight or nine. I think when you know what you want to do, you're very lucky because you've got a focus.