I'm addicted to those moments when you're on stage and the audience is so quiet you could hear a pin drop and you realize that you're in communion. That's an incredible experience. That's a cosmic experience, as far as I'm concerned, without getting way out there.

...and if you hear something you know, please sing along. No wait - I take that back - you can't sing along - this is about me now - this is my show.

Pedigree matters: if you break your shoulder trying to open a door, it's much harder to play the game once you get in the room.

I consider myself to be a feminist. My hope and goal is that I'm going to raise two very strong independent women that won't need anybody, unless they chose that. I want them to be mistresses of their own destiny. But I don't judge people on the other end of that spectrum either.

In the performing arts you have to have thick, thick, thick skin, because of all the rejection you face on a daily basis, and the fact that work never lasts for very long. But you need thin, thin, thin skin in order to access all of your emotions and your creativity so that you can express it. You can't be dead inside. Otherwise you've got nothing to give. So it's a paradox, that we have to exist in both planes in order to do what we do.

I'm taking opportunities as they come; I really am. Not to get too sort of mystical, but I believe in fate. I believe when roles are presented to me in my life they're for a very specific reason, something for me to learn. And it's coming at the right time.

I think in the end there is one ultimate goal with all my careers, and that is, as a performing artist, you want to explore the deepest, most truthful way to express a point of view, or whatever the character is thinking, or whatever emotion you're trying to convey. I think with the different media it's just about what muscles you use to express that.