I've had to play characters who I absolutely disagree with, as far as their politics, as far as their religion, and their stance on certain social issues, I completely disagree with them. But I have to go in and find who they are and get to their core, into their truth, and have absolute faith and believe in that, in order to portray it. So you have to walk in a lot of different shoes, in that you can't help but have your mind open as a result of that.

...I tried to kill myself. It was a feeble attempt, but I did. And I got put in a mental hospital for a month, and I got myself straight and worked on my mental health...it's nothing that I hide. It's nothing to be proud of or to be ashamed of. It's part of my life, you know? And I'm still here!

I want to thank all the shoulders of the strong and brave and courageous women that I am standing on.

I think for a lot of people that are in performing arts, it's easy to fall into the trap of starting to confuse what's real life and what's not, because to your body it's all real.

Whatever is the scariest is almost always what I end up choosing.

You feel the communion of the collective consciousness in that moment when you're on stage doing something and the audience is absolutely with you. And the audience becomes a collective entity as well. They come in from separate places and socio-economic backgrounds, and places across the world and days that they've had, and then they come together and they become one collective thing, and experience something in a collective way.

Pedigree matters: if you break your shoulder trying to open a door, it's much harder to play the game once you get in the room.