Pedigree matters: if you break your shoulder trying to open a door, it's much harder to play the game once you get in the room.

For me, I am constantly forcing myself to evolve, because, I think, to stagnate creatively - there's a certain death that happens with that. Because if you're not moving forward and you're not evolving, you're devolving, and I don't want to go backwards. I want to be better at what I do tomorrow than I am today. I don't want to be worse.

I'm addicted to those moments when you're on stage and the audience is so quiet you could hear a pin drop and you realize that you're in communion. That's an incredible experience. That's a cosmic experience, as far as I'm concerned, without getting way out there.

In the performing arts you have to have thick, thick, thick skin, because of all the rejection you face on a daily basis, and the fact that work never lasts for very long. But you need thin, thin, thin skin in order to access all of your emotions and your creativity so that you can express it. You can't be dead inside. Otherwise you've got nothing to give. So it's a paradox, that we have to exist in both planes in order to do what we do.

I want to thank all the shoulders of the strong and brave and courageous women that I am standing on.

Every human being has a dream. I think what's special about the American Dream is that it implies, given everything that's happened with the history of America, that there is the opportunity to make your dream come true. So I think America signifies opportunity.

Music was all over my house, and all over literally my genetic house, and my house in the literal sense. So I kind of couldn't avoid it.