I think for a lot of people that are in performing arts, it's easy to fall into the trap of starting to confuse what's real life and what's not, because to your body it's all real.

I think in the end there is one ultimate goal with all my careers, and that is, as a performing artist, you want to explore the deepest, most truthful way to express a point of view, or whatever the character is thinking, or whatever emotion you're trying to convey. I think with the different media it's just about what muscles you use to express that.

For me, I am constantly forcing myself to evolve, because, I think, to stagnate creatively - there's a certain death that happens with that. Because if you're not moving forward and you're not evolving, you're devolving, and I don't want to go backwards. I want to be better at what I do tomorrow than I am today. I don't want to be worse.

Rise above the way society is going to see you and society is going to see you at the absolutely bottom of the totem pole because not only are you female, you are Black. Never believe it and never give into that, that that's where you live or that's who you are.

It's easy to spend - especially in this day and age - to spend your time not being in the present. It's very easy to be way ahead. What's tomorrow and the day after that?

I played Mother Abbess in The Sound of Music and everybody's like, "Well she wouldn't have been this and that, she shouldn't be playing it." Well I'm going to do it and I did it. I've been warned my entire life and I've persisted and that's what I hope my children will do as well.

I'm taking opportunities as they come; I really am. Not to get too sort of mystical, but I believe in fate. I believe when roles are presented to me in my life they're for a very specific reason, something for me to learn. And it's coming at the right time.