I think for a lot of people that are in performing arts, it's easy to fall into the trap of starting to confuse what's real life and what's not, because to your body it's all real.

I'm taking opportunities as they come; I really am. Not to get too sort of mystical, but I believe in fate. I believe when roles are presented to me in my life they're for a very specific reason, something for me to learn. And it's coming at the right time.

I guess what I know now that I definitely didn't know as a child, is that being truest to yourself is the greatest weapon in the war to achieve. That sounds really negative, but in conquering or achieving something. I think, as a child, I thought I had to be somebody else.

I think a part of evolution is the desire to know yourself, and know the world you live in, and discover everything you can about the world you live in. That world can be the microcosm of your own emotions, or a society, or the cosmos. There's this constant desire for knowledge.

I played Mother Abbess in The Sound of Music and everybody's like, "Well she wouldn't have been this and that, she shouldn't be playing it." Well I'm going to do it and I did it. I've been warned my entire life and I've persisted and that's what I hope my children will do as well.

Some sort of creativity is within everybody; I think that's just a part of the human spirit. I think there's no human being on earth who is not creative in some way, because I think it's just a part of our genetic makeup.

I think for a lot of people that are in performing arts, it's easy to fall into the trap of starting to confuse what's real life and what's not, because to your body it's all real.