I just had a really crappy time in school and I spent a lot of time writing songs and not doing work. I started talking to Noah - Panda Bear - about recording a really solid album, spending a lot of time on it to get it to sound exactly the way we wanted it to.

I definitely didn't have a lot of money. I had been fired from a record store. I was just trying to get by. I was on unemployment. I didn't have anything going full-time.

Hell is a swamp, to me - not as something fiery, but as something dank, moist, and wet.

I love electronic music as much as I love something that sounds like 'Pullhair Rubeye,' or something a little bit more organic than that.

It's weird, in New York, it's like the big theme of everything is folk music and interacting with people. Maryland is where the landscape of our music comes from, it was more like, let's walk around. People are saying that we are part of some sort of folk scene. We don't feel connected with it. We do live in the city, and communicate with people. It's all folk music.

Things have changed. The suburbs are developed, but other parts, like where we recorded Spirit and Danse Manatee are still woodland and farmland.

An important meeting point for me was realizing the similarity between a DJ set and a Grateful Dead set: I grew up listening to how the Dead would take a song and just jam on it, and then transition into another song.