I feel like people just let each other live a little more in New York.

I was living in a loft with Dave Sitek - this loft full of people just working on their stuff. Some were painting, some were writing. Any plans you had were kind of like a plan for the next two months.

Most of the bands that I really like no longer exist. That might just be because I'm in my thirties or whatever. But I also think it's the rare band that doesn't, like, turn into something else.

I have nothing against people getting their band back together, but the artists I love marked a time in my life, and to merge that time with now can be personally depressing.

I think that music and art and film, at their best, can connect with something that is eternal in human beings, that might not have so many labels on it, something that's ultimately universal and that may just be a feeling.

I was born in St. Louis and lived in Pittsburgh for a bit, before my family moved to Nigeria, where they're from. We lived there for three or four years and came back to the States when I was about ten. I realised that I'd gone from place to place not fitting in. The thing that helped me fit in when moving around and not having a ton of friends was that I could make art. That was the through-line.

There are a lot of spikes that can happen when what you're doing starts to get attention or people start to talk about it. They can just kind of really do a number on your reasons for making music.