I wonder what it felt to move to a country where you didn't grow up. I had thought about that often since my sister got married. Do you become a character in a story native to that land, or do you, somewhere in your heart, want to return to your homeland.
Banana YoshimotoLiving like that utterly convinced me of the extreme limitations of language. I was just a chlld then,so I have only an intuitive understanding of the degree to which one losses control of words once they are spoken or written. It was then that I first felt a deep curiosity about language, and understood it as a tool that encompasses both a single moment and eternity
Banana YoshimotoThe place I like best in this world is the kitchen. No matter where it is, no matter what kind, if itโs a kitchen, if itโs a place where they make food, itโs fine with me. Ideally it should be well broken in. Lots of tea towels, dry and immaculate. Where tile catching the light (ting! Ting!)โ (p. 3).
Banana YoshimotoIn the uncertain ebb and flow of time and emotions, much of oneโs life history is etched in the senses. And things of no particular importance, or irreplaceable things, can suddenly resurface in a cafรฉ one winter night.
Banana YoshimotoTime expands and contracts. When it expands, itโs like pitch: it folds people in its arms and holds them forever in its embrace. It doesnโt let us go so easily. Sometimes you go back again to the place youโve just come from, stop and close your eyes, and realize that not a second has passed, and time just leaves you there, stranded, in the darkness
Banana YoshimotoOf course, itโs true that sometimes the pink at sunrise somehow seems brighter than the pink at sunset, and that when youโre feeling down the the landscape seems darker too - you see things through the filter of your own sensibility. But the things themselves, out there, they donโt change. They existed, and thatโs all there is to it.
Banana Yoshimoto