Do you know why language manifests itself the way it does in my work? It's because I understand short attention spans.

I think what I'm trying to do is create moments of recognition. To try to detonate some kind of feeling or understanding of lived experience.

All violence is the illustration of a pathetic stereotype.

Seeing is no longer believing. The very notion of truth has been put into crisis. In a world bloated with images, we are finally learning that photographs do indeed lie.

Architecture is my first love, if you want to talk about what moves me... the ordering of space, the visual pleasure, architecture's power to construct our days and nights.

I think I developed language skills to deal with threat. It's the girl thing to do-you know, instead of pulling out a gun.

Belief is tricky because left to its own devices, it can court a kind of surety, an unquestioning allegiance that fears doubt and destroys difference.