I think there are lots of ways to make good work. You can throw big bucks at a project and make what some would call crap, or you can work very modestly with eloquently moving results.

You make history when you do business.

I don't necessarily think that installation is the only way to go. It's just a label for certain kinds of arrangements.

We are obliged to steal pieces of language, both visual and textual.

If I bring up political power, personal power, it sounds like they're my terms, and they're not.

the art world has always been an unrelenting taste machine, but now flavors of the month have morphed into flavors of the minute. Again, all a reflection of a wider cultural condition. I mean, the art world is slow compared with the music and movie businesses.

I think I developed language skills to deal with threat. It's the girl thing to do-you know, instead of pulling out a gun.