I just say I'm an artist who works with pictures and words.

GIVE YOUR BRAIN AS MUCH ATTENTION AS YOU DO YOUR HAIR AND YOU'LL BE A THOUSAND TIMES BETTER OFF.

Photography has saturated us as spectators from its inception amidst a mingling of laboratorial pursuits and magic acts to its current status as propagator of convention, cultural commodity, and global hobby.

I think what I'm trying to do is create moments of recognition. To try to detonate some kind of feeling or understanding of lived experience.

If I bring up political power, personal power, it sounds like they're my terms, and they're not.

What makes the production of my work so expensive? The whole installation thing - the construction, the objects, the technology. It really adds up.

It's hard for me to understand how working-class people support themselves.