A lot of time mistakes are very interesting - you look for the behaviour that's not the one you expect.

I do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.

Studios just sometimes make decisions on their own that you're always flabbergasted by. It just happens that way for whatever reason - not even pointing fingers, it just is.

All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that's what ultimately works the best for me.

You don't always have to have the ending, but you want to have a satisfactory conclusion.

First of all, just to get Diner made would have been an achievement in that I got a chance to direct.

Some actors are supposed to be very difficult, but I've not found that to be the situation.