As soon as digital editing came about, I immediately made the switch to digital.

Creative differences are legendary in this movie business, so we're really not exploring the creative-difference aspect as opposed to the money aspect, or the fact that something can come up in a movie and literally put the whole movie on the line, and this is where producers have to earn their keep.

I play around with human things, human relationships and that, and allow that kind of talk to work in that way, on that level.

You have a movie and it proves itself and then certain things happen.

I think certain movies work and that is part of the magic of it all. We can't truly define why something succeeds.

I don't know that you can do it as a satire. I mean, the business is crazy enough as it is. It's like doing Wag The Dog - we took a thing that was almost completely absurd on one level, and then ultimately those things came about.

Craig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.