You do understand that you can't force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you've had, the more beneficial it is, period.

I do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.

The interesting thing about movies, it's not always - y'know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable.

I don't know that you can do an absurdist film and just have everybody embrace it in terms of filling out cards. I just don't think it happens. So you have to prepare an audience.

I play around with human things, human relationships and that, and allow that kind of talk to work in that way, on that level.

I would give the cameras to the kids in the swimming pools and they would play with them, and then I would collect them and we would upload it. If you're in the process, you're there.

As soon as digital editing came about, I immediately made the switch to digital.