I have played Dracula a thousand times on stage and I find I have become thoroughly settled in the technique of the stage and not of the screen.

It took me years to live down Dracula and convince the film producers that I would play almost any other type of role.

There was no male vampire type in existence. Someone suggested an actor of the Continental School who could play any type, and mentioned me.

I'll take any story if it's good.

Of all the roles I've done on the stage, I'm partial to Cyrano de Bergerac.

I have lived too completely. I think I have known every human emotion.

In Hungary, acting is a profession. In America, it is a decision.