Writing a good movie brings a writer about as much fame as steering a bicycle. It gets him, however, more jobs. If his movie is bad it will attract only critical tut-tut for him. The producer, director and stars are the geniuses who get the hosannas when it's a hit. Theirs are also the heads that are mounted on spears when it's a flop.

Out of the seventy movies I've written some ten of them were not entirely waste product.

Of the things men give each other the greatest is loyalty.

I have known a handful of producers who actually were equal or superior to the writers with whom they worked. These producers were a new kind of nonwriting writer hatched by the movies - as Australia produced wingless birds. They wrote without pencils or even words. Using a sort of mime-like talent, they could make up things like writers.

Movies are one of the bad habits that have corrupted our century. They have slipped into the American mind more misinformation in one evening than the Dark Ages could muster in a decade.

When you overpay small people you frighten them. They know that their merits or activities entitle them to no such sums as they are receiving. As a result their boss soars out of economic into magic significance.

Love's the only thing I've thought of or read about since I was knee-high. That's what I always dreamed of, of meeting somebody and falling in love. And when that remarkable thing happened, I was going to recite poetry to her for hours about how her heart's an angel's wing and her hair the strings of a heavenly harp. Instead I got drunk and hollered at her and called her a harpy.