Writing a good movie brings a writer about as much fame as steering a bicycle. It gets him, however, more jobs. If his movie is bad it will attract only critical tut-tut for him. The producer, director and stars are the geniuses who get the hosannas when it's a hit. Theirs are also the heads that are mounted on spears when it's a flop.

Bad writing is not easier than good writing. It's just as hard to make a toilet seat as it is a castle window. Only the view is different.

Immorality, perversion, infidelity, cannibalism, etc., are unassailable by church and civic league if you dress them up in the togas and talliths of the Good Book.

Much more frequent in Hollywood than the emergence of Cinderella is her sudden vanishing. At our party, even in those glowing days, the clock was always striking twelve for someone at the height of greatness; and there was never a prince to fetch her back to the happy scene.

They're a symbol of the whole town, pretending to fight, love, weep and laugh all the time - and they're phonies, all of them. And I head the list...their phony hearts were dripping with the milk of human kindness.

The rule in the art world is: you cater to the masses or you kowtow to the elite; you can't have both.

People's sex habits are as well known in Hollywood as their political opinions, and much less criticized.