You know how misleading an image is. You see an image in the newspaper, if they left the caption off, good luck knowing what's going on. There is something inherently misleading about images, so they need annotation.

A picture story just doesn't run like a film. It doesn't have 24 frames per second. It doesn't deal with this illusion of movement. It's more like if you did an illuminated novel. I think both of those things should be running at full blast, not less of both so it becomes an easier thing. I think it should be twice as dense. That's just what interests me.

A picture story just doesn't run like a film. It doesn't have 24 frames per second. It doesn't deal with this illusion of movement.

I think architectural appreciation would be a minor occupation after a nuclear war. People would just be happy to have something to eat.

The funny thing is, nationalism only could have come about in Europe after the invention of printing. You could have this thing that was a book in a vernacular language, and you could imagine there were other readers of this book who you couldn't see, but they were a theoretical union of readers who all use the same language. That is kind of a prerequisite for a national fantasy. You need that thing, and it's a strange thing.

As a small kid, I came across things like these early Edward Gorey books in department-store bookstores. These were these really unusual objects to me. I didn't know how they fit into the comic world or into newspaper comics.

I never wore a watch. I always depend on public clocks, and stores have clocks, but that is strange.