Really interesting novels, they always are so demanding of you on some level that you don't fall asleep.

As a small kid, I came across things like these early Edward Gorey books in department-store bookstores. These were these really unusual objects to me. I didn't know how they fit into the comic world or into newspaper comics.

Really interesting novels, they always are so demanding of you on some level that you don't fall asleep.

I think a lot of these terms, nationalistic things, somebody is an American, or somebody is a Frenchman, or somebody is a Jew, I don't know, it doesn't mean anything to me. You really should start augmenting these words, saying what kind. If you want to say somebody is a Jew, what do you mean by that? Does he have blonde hair? I think a lot of these ancient nationalistic and ethnic terms have kind of lost their meaning, or their meaning is so broad, it's nothing. It's like he's connected to the ancient world. Everybody is.

What sort of attractions do you think lured our coreligionists out of the ghetto and into the mainstream of European culture? Was it the wit of Molière, or the ingenious stage mechanisms of Pixérécourt? Or was it simply the opportunity to cast an eye, without shame, upon the living, unclad human form?

A picture story just doesn't run like a film. It doesn't have 24 frames per second. It doesn't deal with this illusion of movement. It's more like if you did an illuminated novel. I think both of those things should be running at full blast, not less of both so it becomes an easier thing. I think it should be twice as dense. That's just what interests me.

I always lived in old buildings, and I thought about who lived here before. You'd have to be oblivious not to.