The funny thing is, nationalism only could have come about in Europe after the invention of printing. You could have this thing that was a book in a vernacular language, and you could imagine there were other readers of this book who you couldn't see, but they were a theoretical union of readers who all use the same language. That is kind of a prerequisite for a national fantasy. You need that thing, and it's a strange thing.

As a small kid, I came across things like these early Edward Gorey books in department-store bookstores. These were these really unusual objects to me. I didn't know how they fit into the comic world or into newspaper comics.

I'm very interested in music and where these sounds of Western music come from.

I think a lot of these terms, nationalistic things, somebody is an American, or somebody is a Frenchman, or somebody is a Jew, I don't know, it doesn't mean anything to me. You really should start augmenting these words, saying what kind. If you want to say somebody is a Jew, what do you mean by that? Does he have blonde hair? I think a lot of these ancient nationalistic and ethnic terms have kind of lost their meaning, or their meaning is so broad, it's nothing. It's like he's connected to the ancient world. Everybody is.

The basis of national identity is to say, "This is authentic to me or my forebears," and is there even such a thing? How authentic is it to your life? Just because your grandfather did it, what does that have to do with you? If I say I'm working in the style of Rembrandt, so what? You can say it, but are you really? No, because when you try to literally copy a cultural artifact, you change it. It dissolves, and then who's looking at it? People who appreciate that kind of drawing, or people it means nothing to?

The click [of a light switch] is the modern triumphal clarion proceeding us through life, announcing our entry into every lightless room.

I never wore a watch. I always depend on public clocks, and stores have clocks, but that is strange.