The environment forces you to be utterly dependent between "action" and "cut" because the environment is perfect on your fellow actor. So as an acting exercise, it's absolutely thrilling that the focus that we had to bring to each other echoed in life, echoed in art. And when you get that parallel, it's really thrilling and it's full of surprises, but it all has a logic.

They're a very strange lot actors, very strange people.

I think that Shakespeare had his male side and his female side extremely well developed. And this was a great quality of the Elizabethan, all-around Renaissance man. They were not afraid of their male side and their female side co-existing. This somewhere along the line got lost. And then it got misunderstood.

I want to play a man in uniform. I've got tremendous respect for that life that they lead. We know so little about it. It's never discussed or talked about, when they come back from battle. I want to examine the choices that have to be made in those terrible times. [...] I'll get to wear a uniform.

I don't do anything that would ever come across as advice or suggestion, but it's just part of a debate. Like, "I would like to try this," or "Let me do another one with more stillness, let me emphasize that." Rather than "I think you should emphasize this, I think" - you know, I don't impose choices.

But comedy I'd love to do as much as humanly possible.

There is so much to do on a film set. It is an extraordinarily invigorating and wonderful place to be, when things are running well.