Acting is a bit of a heart and soul exercise with me. It's kind of all I've got.

I've spent various periods of my career being thought of as various things, various degrees of substance and ideas.

As soon as you start acting in an accent, you're sort of out of your comfort zone. Maybe people start getting used to accents after a long period of time. But as soon as you do that, it's not so much as capturing the sound of the way other people speak, it's being able to actually be and move around in the sound.

From my point of view, things don't have to change to get better. Things are fantastic.

The people I've encountered who are really dangerous in my life don't go around with their fangs drawn - they are dangerous because of the way they interpret what's going on.

You can certainly extend your adolescence. There's people that are very good at extending it indefinitely.

There were the usual types of things that happen, in a production, like logistical bullshit, and this and that and the other. That's the sort of stuff that happened. But I never felt, in a creative sense, that we were ever veering into a place that I hadn't signed on for.