Life is a lot sweeter, I think, than you can be aware of it at times.

I think there's a lot of mythos about what's required in acting. The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work because, you know, it's a post-De Niro world, when, largely, in fact, it's almost never true.

As soon as you start acting in an accent, you're sort of out of your comfort zone. Maybe people start getting used to accents after a long period of time. But as soon as you do that, it's not so much as capturing the sound of the way other people speak, it's being able to actually be and move around in the sound.

Crewing and being on film sets is kind of like being in the carnival, with carnie folks.

One of the things that I found very confronting in my early working life was that people thought I was some sensitive doe-eyed lovelorn boy, because they'd seen me do that a couple of times. What tends to happen is you get a run of similar roles.

You can certainly extend your adolescence. There's people that are very good at extending it indefinitely.

I think that story wins out over acting and that the thing as a whole is more important than the performances therein.