Art is consumed in so many different ways. You could say people don't stop to appreciate art. On the other hand, people can consume art more quickly.

The idea of "making art for art's sake" makes no sense for me. Each area of my life, all the roles I play, influences the others.

I feel really passionately about safe, comfortable roads, crosswalks, and sidewalks. Everyone of all economic backgrounds should be able to get to school or the grocery store safely and efficiently so they can live better lives.

I'm interested in questions my son asks me, like, "Why do animals fight? Why do you have to leave us to go on the road?" Everything he asks gets me thinking.

I felt like I was cheating myself of those communities and cheating the audience because I wasn't able to know them. That's what the bikes did, without me having to put any arbitrary philosophy on what it was supposed to be. It enabled human connection.

It's funny, people often ask me, "Why do you do bike tours where it takes three times the effort and you make one-third of the money?" My answer is that I'm trying to do it ethically. What does that mean, exactly? That conflict is a big part of my art.

I have a lot of intention behind what I put out there. The reason all this stuff I do works together, the environmental and social, collaborating with ballet companies to score a show, the bike tour - all of that stuff comes together through community building with music.