I have a lot of intention behind what I put out there. The reason all this stuff I do works together, the environmental and social, collaborating with ballet companies to score a show, the bike tour - all of that stuff comes together through community building with music.

I'm definitely musician and storyteller. But I always like to take an active role in things I care about socially and environmentally.

I felt like I was cheating myself of those communities and cheating the audience because I wasn't able to know them. That's what the bikes did, without me having to put any arbitrary philosophy on what it was supposed to be. It enabled human connection.

It's funny, people often ask me, "Why do you do bike tours where it takes three times the effort and you make one-third of the money?" My answer is that I'm trying to do it ethically. What does that mean, exactly? That conflict is a big part of my art.

The idea of "making art for art's sake" makes no sense for me. Each area of my life, all the roles I play, influences the others.

Cities like Portland, Seattle, and Long Beach, which have made these investments in their infrastructure, are seeing not only health advantages, but also a lot more exchange in the community, which leads to better policy-making and stronger communities.

I'm a husband and a dad. Two thirds of my day is spent being that character. It's a huge part of my identity and why I pursue things I do.