There's a sense here in L.A. that everybody's aware of everybody all the time. It's funny but we choose it. People who are here want to be here, including me.

I studied Tom Cruise running in all the Mission Impossibles. I think he's one of the best screen runners.

The cliches are that it's the most generic Starsky and Hutch plot you can find.

First of all, the first cut of the movie was like three and a half hours and I walked away going, 'Wow, I know there's like twenty minutes that I can cut - ' when I first saw it 'But I don't know after that.' The first time I put up then in front of people I was like, 'Oh, my God, I can take that out and that out and that out.'

I was staying on [writer/director/actor] Eric Schaeffer's couch in New York, and he said, "I've got this movie [If Lucy Fell]. Can you do five days on it?" And I was like, "Yeah, anything. Twenty-four hours times five is 120 hours. Oh, great, I'll fill 120 hours of my life with something." So I did that and it was fun, and then I did Flirting with Disaster.

When we were visiting New York City, I took my kids to the same playground where I went growing up. It was fun to feel that connection of having gone there as a kid and being there as a parent.

Jim Carrey, a comic genius, has a harder time overcoming the public's desire for him to be funny simply because he's so good at it.