The training gave me the building blocks to get through it. A production of that scale, in a theater that big, you are going to struggle to keep your voice at first-run perfectness. All that work I did - the pull-ups and pushups - helped keep my body fit. Hamlet, the show, is a cardiovascular workout of about three hours, never mind the mental, soul-crushing element of it.

I just want to bring people in a little bit to the idea of sitting down on a Sunday three consecutive weeks and having that water cooler moment that really was a sort of a national sensation in the U.K., 'cause it's kind of fun.

I never was obsessive about anything I watched when I was a kid, except maybe 'The A-Team' and 'Airwolf' And I loved 'Knight Rider' and then later 'Baywatch.'

I haven't done period dramas back-to-back, or really anything back-to-back. You get asked to do what you're most recently famed for, so I'm careful of not repeating myself.

My massive motivation in life is to make parents proud. But even that has to stop at a point.

I don't call myself an expert because I've played experts. I know a little bit about very little. But it's very hard to not be drawn into saying something, especially if it has to do with the work.

I think what I loved in cinema - and what I mean by cinema is not just films, but proper, classical cinema - are the extraordinary moments that can occur on screen. At the same time, I do feel that cinema and theater feed each other. I feel like you can do close-up on stage and you can do something very bold and highly characterized - and, dare I say, theatrical - on camera. I think the cameras and the viewpoints shift depending on the intensity and integrity of your intention and focus on that.