When auditioning, I try to imagine that I'm the only person that they [directors] are seeing that day because it can be overwhelming, in the same sense that it could be overwhelming if you try to fulfil everyone's expectations rather than the people closest to you in the creative process, be it your director, or fellow actors and the writers. So, that's kind of it - I try to trick myself into believing that no one has ever gone there before.

Not that i had a big arse but even that was toned.

Any privacy in public is a hard thing to negotiate.

We're living through a time where we are fighting wars fostered by politics, admittedly not on the same scale as the First World War, but with equally tragic realities for our soldiers and their families.

Sometimes during a conversation with a journalist - where you are answering things you never normally talk about, not even with some of your closest friends - you end up being quite confessional, and you don't think about the amplification of that. No matter how fancy these journalists are, they have editors or political leanings behind their publications, which means that, basically, they're going to shape what you've said into an article they've already written. So you have to be really careful with your words.

When you start getting jobs, and see your mates from drama school, you don't really want to talk about it, because you have this innate sense of guilt that it's not fair that others aren't doing exactly what you're doing. I do have that.

I was always performing, doing silly voices. The teachers realized I could go one of two ways: be creative or destructive.