I was always performing, doing silly voices. The teachers realized I could go one of two ways: be creative or destructive.

I can’t stop traffic on Fifth Avenue, not unless I walk in front of an oncoming cab.

I haven't done period dramas back-to-back, or really anything back-to-back. You get asked to do what you're most recently famed for, so I'm careful of not repeating myself.

I'm not one for doing the children's party version: "Hi, I'm a character in a movie and now I'm in reality!" I was doing the last shot of the film before reshoots outside their shop. I was starting my run into the frame and I thought, "You are literally ending where this began. The loop of serendipity's too much to not go in and acknowledge it." I just wanted to see the look on their faces.

The generation now below me were born into a world where if you're a kid with raw talent now, you can roll in and land a lead in a Scorsese film. You don't have to have prove yourself by working up the ranks, doing the classics, and getting the canon under your belt in the way the great Sirs and Dames of mom and dad's generation - the [Ben] Kingsleys and [Helen] Mirrens and [Anthony] Hopkinses and people of that ilk.

I'm interested in art for all. I don't want it to be only the sons and daughters of Tory MPs who get to see my plays.

Marvel always make it fresh so you can give it your personal twist.