It does get strange when you realize people will hang around for hours to get a glimpse of you doing scenes outside.

I love the idea of playing something stupid or romantic. I'm not the smartest man in the room. I listen, and I learn, and I observe, but I'm always playing characters with intellects profoundly superior to mine. That's great fun, even though it's as much a fantasy for me as for the people watching me.

[Doctor Strange] is still quite cocky by the end of the film. No, I'd say the major curve for him is that he learns that it's not all about him, that there's a greater good. But what he thinks he was doing as a neurosurgeon, that was good because it benefitted people's health was really just a furtherment of his attempts to control death and control his own fate and other people's, but that's still driven by the ego.

I realised quite early on that, although I wasn't trying to make a career speciality of it, I was playing slightly asexual, sociopathic intellectuals.

The armoury of having any academic education does not necessarily set you up for being a good or better actor.

Upper class to me means you are either born into wealth or you're Royalty.

There are very specific demands, though, in television, and you notice the budget constrictions. It's the time constraint and a purse constraint more than anything else that you notice. But the ambition of the writing and, hopefully, the delivery of it gets better and better because we want to outdo ourselves to keep ahead of a very expectant and hungry public.